A Thousand Times Goodnight, & Ane Brun's Music

A Norwegian-made, English-language film set in Ireland, Kenya and Afghanistan, and starring French luminary Juliette Binoche, would seem to wear its internationalism on its sleeve. Yet globe-trotting, at least to war zones, forms the central conflict in “A Thousand Times Goodnight,” Erik Poppe’s gripping tale of a dedicated photojournalist torn between passionate involvement with her work and commitment to her worried family. Deftly sidestepping both melodrama and family-values messaging, Poppe imbues the film with enormous emotional resonance, brilliantly grounded by his leading lady. The absence of subtitles and the presence of Binoche should open global arthouse doors for this Montreal fest grand prizewinner.

Variety.com, a review extract

I have a collection of books and dvds by war photographers and journalists.  I began reading their stories, perhaps, because if I had known of this work I think I would have been drawn to it. 

Possibly motivated by the same things that appear to motivate those who actually go out there ... the idea that if the truth were known, some things might change, other things couldn't happen. 

But I didn't find out in time and so I read and watch their stories unfold when I can.

I enjoyed the movie, 'A Thousand Times Goodnight, intensely.

You get a small glimpse of the film in the music video below.  There's not too many spoilers, as the movie is used out of sequence but Ane Brun wrote the song for the movie ...  I find it exquisite.

And there's an interview over here, with Juliette Binoche.

December Snow, Antwerp

We were enjoying a mild winter we thought.  Frosts hadn't really arrived ... until suddenly.  Then we had snow.

It awakened the Grinch in me and yes, I complained, mightily.  I'm just not good at northern hemisphere Christmases.  And so I've remained quiet here while working my way through it all.

A photograph taken from the window behind me when I'm at my desk.

Indie Artists in the Middle East - a 2014 list.

I spent a part of my day working through this list of Mideast Tunes' Top 20 Indie Artists of 2014.

Curious, I visited their About:  Our mission is to bridge barriers of faith and geography to unite people committed to fostering constructive discourse in the region through music. The core of the project manifested from our desire to promote bands and musicians that would otherwise never be given a second glance in the international scene. We feel that is because most people would never think to look to regions like the Middle East and North Africa for highly thought provoking music. The need to change that is our driving force.

We believe music can change the world and that the musicians of the Middle East and North Africa will lead the way.

Founded in 2010 in Bahrain, the site has expanded to serve as a primary resource for discovering up and coming Middle Eastern talents.

Two clear favourites emerged as I wandered through.  Youssra El Hawary, from Egypt and Mo Zowayed, from Bahrain.  But there are so many others ...

I found the following interviewe excerpt on NPR about Youssra and her music. 

'For "Al Soor," Hawary borrowed the lyrics from one of her friends, the political cartoonist and author Waleed Taher: "In front of the wall/In front of those who built it/In front of those who made it high/Stood a poor man/Who peed/On the wall, and on those who built it and those who made it high." (Needless to say, a "good girl" doesn't sing about people eliminating — but Hawary does it with a wink and a smile.)

Taher had published them as part of one of his cartoons years ago, long before the Arab Spring — but Taher's meaning gained new resonance after a huge wall was erected in Cairo on Muhammad Mahmoud Street, which leads on one end to Tahrir Square and on the other towards the Egyptian Ministry of Interior.

So it was natural, if pretty daring, for Hawary to enlist a photographer friend to go shoot a DIY video for "Al Soor" in front of the Muhammad Mahmoud wall, which is now covered regularly with fresh work from a burgeoning group of graffiti artists.

In the video, Hawary is bathed in beautiful breaking morning light; the women shot the video shortly after dawn, mostly in hopes of not having their work shut down. But the giddy happenstances of this shoot done on the sly — the random guy who asks El Hawary to snap his picture, the kids dancing, the caretaker shooing everyone away at the end — just adds to the perfect, easy magic of "Al Soor."

Indie Artists in the Middle East - a 2014 list.

I spent a part of my day working through this list of Mideast Tunes' Top 20 Indie Artists of 2014.

Curious, I visited their About:  Our mission is to bridge barriers of faith and geography to unite people committed to fostering constructive discourse in the region through music. The core of the project manifested from our desire to promote bands and musicians that would otherwise never be given a second glance in the international scene. We feel that is because most people would never think to look to regions like the Middle East and North Africa for highly thought provoking music. The need to change that is our driving force.

We believe music can change the world and that the musicians of the Middle East and North Africa will lead the way.

Founded in 2010 in Bahrain, the site has expanded to serve as a primary resource for discovering up and coming Middle Eastern talents.

Two clear favourites emerged as I wandered through.  Youssra El Hawary, from Egypt and Mo Zowayed, from Bahrain.  But there are so many others ...

I found the following interviewe excerpt on NPR about Youssra and her music. 

'For "Al Soor," Hawary borrowed the lyrics from one of her friends, the political cartoonist and author Waleed Taher: "In front of the wall/In front of those who built it/In front of those who made it high/Stood a poor man/Who peed/On the wall, and on those who built it and those who made it high." (Needless to say, a "good girl" doesn't sing about people eliminating — but Hawary does it with a wink and a smile.)

Taher had published them as part of one of his cartoons years ago, long before the Arab Spring — but Taher's meaning gained new resonance after a huge wall was erected in Cairo on Muhammad Mahmoud Street, which leads on one end to Tahrir Square and on the other towards the Egyptian Ministry of Interior.

So it was natural, if pretty daring, for Hawary to enlist a photographer friend to go shoot a DIY video for "Al Soor" in front of the Muhammad Mahmoud wall, which is now covered regularly with fresh work from a burgeoning group of graffiti artists.

In the video, Hawary is bathed in beautiful breaking morning light; the women shot the video shortly after dawn, mostly in hopes of not having their work shut down. But the giddy happenstances of this shoot done on the sly — the random guy who asks El Hawary to snap his picture, the kids dancing, the caretaker shooing everyone away at the end — just adds to the perfect, easy magic of "Al Soor."

Chimamanda Adichie - The Danger of a Single Story.

Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice — and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.