Afoot and light-hearted, I take to the open road,
The long brown path before me, leading wherever I choose.
Henceforth I whimper no more, postpone no more, need nothing,Strong and content, I travel the open road.

Afoot and light-hearted, I take to the open road,
Jess dragged me outside the other day ... the sun was disappearing but light was exquisite.
We were a little slow arriving in Rivierenhof on our bikes but caught some of the autumn action there ...
We had a most delightful day wandering this Flemish city of mine with our cameras …
We were 4, as they might say here. I loved the international flavour of us. We came from Italy, Belgium, Finland and New Zealand, meeting at my house, over lunch and pdf workbooks.
My photography e-course book is included in each photography workshop, as is Hanna’s video e-book in video workshops. I had previously asked Francesca and Bouchra what elements of photography they were most interested in and, after lunch, set them practical exercises focusing on their areas of interest.
That done we were ready to wander out into the beautifully warm autumn day Antwerp was offering. The city was good to us and shop-owners welcomed our interest in their decor and products. The autumn leaves glowed in the exquisite golden light on offer and we played … cameras in hand, 4 women together, out and enjoying the freedom to experiment and learn.
These workshops are as much about offering a safe and supportive environment for learning just how to use your camera … as they are about slipping in through the backdoor and visiting the lives of the people who live here. And it’s about any camera … whatever you have. And just as important is the realisation that your way of seeing is valid. That perhaps photography is about knowing the rules but then it’s bending them to your style, to exploring them and pushing them to their limits, about playing.
The goal? Well, it’s about coming away knowing that your way of seeing is exactly that … it’s your way. An expression or extension of you. In the same way the artist chooses their medium, the writer their genre …
I truly enjoyed the time we spent together on Tuesday. A huge thank you to Francesca, Bouchra and Hanna for being so much fun to go wandering with … and for being so willing to experiment with photography.
Photo credit goes to Francesca Puccio.
I write for the Fans of Flanders website once a week. It's been interesting finding my voice over there because it feels less about me as a photographer and more about me as a foreigner here in Belgium ... kind of.
But this weekend's post was slightly simpler to write ... well, it took ages but I was working through a small crisis. You see I have been known to complain about things here in Belgium. It's a very flat country, there's only 60kms of coastline, it's polluted, and people can be quite rude in the shops and on the trams ... not always but by crikey, I have more than enough stories of outrage.
Last weekend we had a party and one of our guests was the lovely Spanish-based American friend called Erik. He is friend to Simon and Paola, and so it was that he stayed with them over in Brussels, and they decided they would leave exploring Antwerp until the Saturday of the party.
I realised I would have to leave them to it, as there were more than 25 guests coming and we were cooking dinner for 7 plus 2 kidlets, beforehand. I found it strangely painful not to be involved in micro-managing their city wandering.
I was bemused ... but wait, what is this feeling??? Is it really that I want Erik to see Antwerp in the best possible light? Really?
And I realised that this is my over-arching desire when it comes to this adopted Flemish city of mine. I love introducing people to it, to the secret places tourists don't always find, to the restaurants and cafes with the best food and wine, to the ancient cobblestone streets that hide so many surprises ... really quirky surprises sometimes. I love it because somehow this city has become part of me.
Anyway ... my small crisis played out over on my Antwerp page.
This morning it occured to me that my life has been so much about leaving things behind ...
And it should go without saying that I miss people more than I miss things ... mostly but today I was thinking of things missed.I lived in one house until I was 20 and so nothing prepared me for the constant stream-lining of possessions that lay ahead of me. I moved house at least 11 times during my 14 year marriage to a high school teacher back home. And then, 4 times after the divorce, before leaving for Turkey. There were two homes in Istanbul and now here I am, almost possessionless again here in Belgium.
I had so many books, over 400, a beautiful desk and chair, and a bed that I loved, back in New Zealand ... photo albums, a material history made up of precious things.
I left my winter clothing in Istanbul, with other things abandoned when my excess book luggage cost me a cool 240 euro.
I was flying back there in September 2005 anyway, on my way home to New Zealand but I haven't managed that yet. The Belgian distracted me and here I am, still waiting to be legal. Then legal to work.
Here, in this new life, I have two journals, a laptop full of photographs, my cds and dvds, my camera gear and my books.
The oddest things make me remember those things I've loved in other places. Yesterday I bought a new cup. I love beautiful cups and this cup, its shape, its colour, how it fits in my hand ... it's perfect.
The new cup made me nostalgic for beautiful things left behind ... in Istanbul and in New Zealand.
Mostly I don't think of these things but sometimes, just sometimes, I miss them.
It happened quite unexpectedly ...
Tonight, a lovely friend in North Carolina wrote of his yearning to be in Belgium, in order to watch Ann Hallenberg perform in the Vlaamse Opera production, Agrippina.
I asked him about the location, he replied Gent and then wrote so many good things about Agrippina as an opera and about Ann as one of the best mezzo sopranos in the world that ... I just had to go and try booking a seat for my very first opera.
It worked, I am booked ... and now I'm really rather looking forward to this journey into a world I have only suspected I might love.
I recommend the youtube below. It offers you a 'Backstage view of the opera production 'Agrippina', starring emperor Nero's power hungry mother. A baroque master piece by Händel, in an eighties styled version by Mariame Clément'.