Drogheria Torrielli, Genova

Anna and Emanuela, from Beautiful Liguria, took me wandering one day …deep into the heart of the medieval section of Genoa. And it felt a little like a magical carpet ride but perhaps that was because we began at Drogheria Torrielli.

It's more than just a spice shop but, for me, the initial impression was that I had stepped into the pages of a book I read long ago … The Mistress of Spices A story about a priestess who knew the secret and magical powers of spices. Drogheria Torrielli seemed to promise ancient magic based on scent alone.

However the true story of this Genoese shop goes like this. In 1929 the grandfather of the current owners was working at the port of Genoa when an economic crisis hit and the work ran out. Way back then he decided to open a small supermarket, one of the first of its kind.

Moving forward, through time, into the 1970s and new people began to arrive in Genoa. Immigrants from Morocco and they were searching for spices from home. Over the years other immigrants followed and with them came the demand for spices from all over the world. 

Drogheria Torrielli began selling spices and, in the years since, this shop has become a place were a melting pot of cultures meet. More than that though, they are consciously attempting to maintain a balance between tradition while embracing the new.

Standing there, taking photographs, watching customers come and go, it occurred to me that Drogheria Torrielli represents a miniature version of what makes this city something special. The world wanders in through their doors.

Address: Via San Bernardo, 32r.

Permission.

... But when we give ourselves permission, we move past this. The world once again reveals itself to us. We become open and aware, patient and ready to receive it....We give ourselves permission because we are the only ones who can do so.

Still Writing: The Perils and Pleasures of a Creative Life, Dani Shapiro.

I love catching up with the wise words of Terri Windling via her blog, Myth & Moor.  She's a soul-soother somehow.

Meanwhile, I completely agree with the concept of time.   Something beautiful always emerges out of taking the time to play ... some of the best art, or the beginning of a series idea.

Needless to say, I'm missing Genova.  Here's an imperfect glimpse, taken between the portrait shoots I was doing for my book.

Jeanette Winterson, Art.

What art does is to coax us away from the mechanical and towards the miraculous. The so-called uselessness of art is a clue to its transforming power. Art is not part of the machine. Art asks us to think differently, see differently, hear differently, and ultimately to act differently, which is why art has moral force.

Ruskin was right, though for the wrong reasons, when he talked about art as a moral force. Art is not about good behaviour, when did you last see a miracle behave well? Art makes us better people because it asks for our full humanity, and humanity is, or should be, the polar opposite of the merely mechanical.

We are not part of the machine either, but we have forgotten that. Art is memory — which is quite different [from] history. Art asks that we remember who we are, and usually that asking has to come as provocation — which is why art breaks the rules and the taboos, and at the same time is a moral force.

Jeanette Winterson.

On My Way To That Airport in Milan

There was this older gentleman, riding an old bicycle, wearing a long black coat ... I imagined he was a priest at first.  He was smoking a cigar.  There were exclusive-looking shopping bags hanging from both handlebars.  And he crossed the road on a red light and I thought, 'not so priestly'. Then again, quite possibly Father Healy might done that. 

Anyway by the time I realised he wasn't a priest he had my attention.  He stopped on the island in the middle of the road and lifted the camera he had hanging round his neck, using it to take a photograph of the old-fashioned apartment building in front of him.

Then, a few streets on, there was a small truck raised up on its mobility/stability stands while the ladder was raised.  I can't be sure but it seemed like there was a big white cat sitting up in a tree waiting for rescue. 

I reached the airport, hungry but craving something sweet too.  When I write up this some might say, 'Oh Diane ...' but others may benefit from my honesty should they find themselves hunting down lunch at an airport in Milan.  I ordered a mozzarella and tomato sandwich and ... a hot chocolate. 

The waitress could barely put my order together.  She was laughing so hard. 

Sigh.

And laughing.  And still laughing as I wandered off with my 5pm lunch. 

Sometimes one just has to take the 'hit'.  There were things I could have said but decided it was a life lesson.

I came to the departure lounge early to work on my marketing assignment but there was an elderly English academic talking to his wife two seats down from me.  He was so ... so very much what you might except from a rather elderly English academic perhaps. 

He had been at a conference here in Milan and was rather excited by the wine at dinner but disappointed by the behaviour of some of 'the team'.  Talked of corruption and bureaucracy, so loudly, that I feared his way of speaking might slip into my writing.  Maybe it has ...

Traveling between here and there always seems to drag me into a slightly surreal space.  Speaking of surreal, I only managed to take one photograph of Davide, the Genovese guy who looks so remarkably like John Lennon ...

I went wandering with Alessandra, Federico, Barbara and Davide on Sunday.  It was superb.