Terry Windling, on Blogging

Here's what blogging is to me: It's a modern form of the old Victorian custom of being "At Home" to visitors on a certain day of the week; it's an Open House during which friends and colleagues know they are welcome to stop by. I'm “At Home” each morning when I put up at post. Here, in the gossamer world of the 'Net, I throw my studio door open to friends and family and strangers alike. And each Comment posted is a calling card left behind by those who have crossed my doorstep.

Terri Windling, extract from, Reflections on Blogging.

I love when this woman writes.  She's wise and her blog posts are another of the places I go when I'm searching for those things I lack here in my world. 

She has a dog, a forest, some hills.  She writes, I'm a writer, artist, and book editor interested in myth, folklore, fairy tales, and the ways they are used in contemporary arts.

I loved today's essay on blogging and can only say yes.

Yesterday I was working with photographs and history of that beautiful fountain in Genova ...

 

Book Work ...

I first arrived in Genova back in 2008.  I have been returning, as often as is possible, since then.  I would live there in a heartbeat.

I have been reading through notes made and books I've bought.  The port of Genova, active since 5 BC.  I found the note that recorded the fact that I almost cried, in front of strangers, that first time I saw the Ligurian Sea from the path at Nervi.  I had written in my journal that Genova seemed more and more, to me, like a place where New Zealand and Istanbul met and become something more beautiful than either ... back on 21 October, 2008

I saw this scene this year I think, and couldn't resist it

Really?

Only a few, who remain children at heart, can ever find that fair, lost path again. The world calls them its singers, poets, and story-tellers but they are just people who have not forgotten.

L.M. Montgomery.

Since autumn began I've been attempting to fit my book in around family commitments and being a housewife.  It doesn't really work.  I remember those days back when I left for the office.  I recall the feeling of relief, of being in that safe space defined by clear boundaries marked 'work'.  That place where the threshold was rarely crossed by 'family'.

There was a degree of separation found there.  A door more-or-less closed on the reality that is home life and all  of those things that happen there ... from poo-filled nappies and sleepless nights, to sick cats and people you have powerful emotional ties to.

Work was always a place where I existed at another level.  Where, more often that not, objectivity was a state of being more simply found.  And I was paid for my presence, my hours, my labour.

Working from home, around a family life I rarely decribe here, oh my ... it's a topic I almost never touch.  But there is no degree of seperation.  I use the bathroom here amd I realise that I am also the cleaning lady and dammit, I haven't cleaned the bathroom lately.  I go downstairs for lunch and realise I'm the baker and that a new loaf needs to go in for breakfast tomorrow.  I make a coffee and see the dishes need washed and dried and put away.  I take a shower, need a towel and voila, I realise there are 3 loads of laundry there in the queue.  And what's for dinner tonight ...?

And really, I just want to hunker down in that seperate space called 'the office', and work for my money, and be objective but it's so unrealistic.  I was trained from a very young age that I needed to be responsible ... as the eldest sister, as a good little girl from Mosgiel. 

Gifting myself permission ... no, gifting myself the luxury of writing all day, it's something I am battling with at every level.  This last week has been impossible.  There are moments where I can do my writing work but as it is only the'possibility of income' ... can I even call it work?  Don't so many, as in those who know 'money doesn't grow on trees', view it as a luxury?  This writing lark. 

When you read of money and trees, did you find yourself adopting the deep voice of your father or some other remembered voice of authority?  I think only men have said that to me.  They get so mad with me and my lack of gratitude.  It's only the housework and the family.  You have it so easy. 

But I'm wondering ... 'really?' 

Anyway, I'll work it out and meanwhile, the image below.  My childish self loves the notion that there are the possibility of other worlds in puddles.

A Small Slice of Genova, Italy

For me, the fountain in Piazza De Ferrari represents the true heart of the city.  Then again, I am a foreigner and I may have that wrong but anyway ... I've taken a few hundred photographs of that fountain since first visiting in 2008.  Slicing it up, as I slice up everything. Examining it in different lights, falling in love with the fall of the water one day, then a reflection another day.

On this day the fountain was still and I was able to get close, wanting both the text and reflection of Palazzo Ducale.

Genova ... it's a city I could spend the rest of my life photographing.  I never expected to find one place that would capture my interest in this way but it has.  The more you explore Genova, the closer you go, the more there is. 

Then again, if I was more than 2,000 years in the making then I might be fairly complicated and interesting too.

Under The Tuscan Sun ...(or a recipe for dreaming)

Whenever I am unable to create my own sense of beauty, I have this book that has traveled with me since the 90's.  The date I wrote in the front reads 'pre 1999'.  I remember how it saved me when we moved to Te Anau, from the disruption and loneliness that is moving, and that it has saved me so many times since.  For me, there is this sense of falling into the beauty that is Frances Mayes prose, like sinking below the surface of a swimming pool, immersed for a while.

Whatever a guidebook says, whether or not you leave somewhere with a sense of the place is entirely a matter of smell and instinct.  There are places I've been which are lost to me.

I've heard so many angry women talk of Frances Mayes book 'Under the Tuscan Sun' - and make no mistake, I am talking of the book not the movie, which is another story entirely - and these women rage about this book and that woman's unrealistic portrayal of a life lived partially in Italy.

I listen, sometimes I speak up but mostly I quietly decide that they are not lovers of beautiful poetic prose writing ... that they simply lack a dreamy writerly soul. But truly, I'm not sure why I love what they hate.

The outrage ... I would love to unpick it, to understand where it comes from. 

The second-floor bedroom that opens onto a brick terrace gleams.  They've made the bed with the new blue sheets and left the terrace door open to the sound of the cuckoos and wild canaries in the linden trees.  We pick the last of the pink roses on the front terrace and fill two old Chianti bottles with them.  The shuttered room with its whitewashed walls, just-waxed floors, pristine bed with new sheets, and sweet roses on the windowsill, all lit with a dangling forty-watt bulb, seems as pure as a Franciscan cell.  As soon as I walk in, I think it is the most perfect room in the world.

These are soul-soothing words for me.  I once lived in the brick house of a friend who was so good to me when I divorced.  It was everything sensible, that borrowed brick house, but my soul needed something else.  I found a funny little 1.5 bedroom cottage out on the Otago peninsula. 

I moved there and was happy.  I would drink my morning coffee out in front of the massive rough wooden-framed windows that made up the front wall of that  cottage.  My view, a few metres of lawn, maybe 2, a small road just below, and the sheltered water of that beautiful harbour.

I require beauty but mostly it's simple.  It's about Nature and good air, it's about views that make you stop and dream for a while.  It's about having a dog, when possible. 

New Zealand spoilt me in a way.  My Belgian bloke understood more of me after our trip home last year.  He realised that while I believe natural beauty is a right, he understands beauty is a luxury.  He comes from a small country, 1/10th the size of New Zealand.  In Belgium there are 11 million people, New Zealand has 4 million.

After a few days, my life takes on its own rhythm.  I wake up and read for an hour at three a.m.; I eat small snacks - a ripe tomato eaten like an apple - at eleven and three rather than lunch at one.  At six I'm up, but by siesta time, the heat of the day, I'm ready for two hours in bed.  Slumber sounds heavier than sleep, and with the hum of a small fan, it's slumber I fall into. 

Finally entering into university studies at 34 was one of the best things I have ever done.  There was an appreciation of all that I studied, an excitement that I might not have felt back when I was 18.  In those days, I lived in 4 different homes along the peninsula.  My first husband and I bought an exquisite cottage down there back in 1999.  We divorced and I lived in a series of cottages on that narrow strip of land between the harbour and the Pacific Ocean. 

Under the Tuscan Sun got me through dark times and lonely times too.  It was like a burst from a sun-lamp perhaps.  It traveled to Istanbul with me, as one of the few things I could take from the old to the new life.  It lives here on my deep-red book shelves in Belgium, a much-loved book that I recently pulled out as these autumn days grow grey and the darkness comes so much earlier.

For me, the book is a meditation on the beautiful moments, written in the prose of a woman who began as a poet and went on with prose.  It's a writers book.  A book for dreamers and lovers of beauty. 

Siesta becomes a ritual.  We pull in the shutters, leaving the windows open. All over the house, ladders of light fall across the floor.